仁医第二部

主演由洪坤瑞 ,张韵如 ,谢文伯 ,姜家荣 ,马登琴 ,苏承松 ,陈坚顺 ..该片评分是10分,仁医第二部上映于2011-11-06的玉树县 ,http://www.mgdyy.org第一时间收录《仁医第二部》的(英语，国语，原声版)并提供免费在线观看,本剧主要讲述：Franz heard the words of the count but imperfectly, and heperhaps did not fully appreciate this new attention to theirwishes; for he was wholly absorbed by the spectacle that thePiazza del Popolo presented, and by the terrible instrumentthat was in the centre. It was the first time Franz had everseen a guillotine, -- we say guillotine, because the Romanmandaia is formed on almost the same model as the Frenchinstrument.* The knife, which is shaped like a crescent,that cuts with the convex side, falls from a less height,and that is all the difference. Two men, seated on themovable plank on which the victim is laid, were eating theirbreakfasts, while waiting for the criminal. Their repastconsisted apparently of bread and sausages. One of themlifted the plank, took out a flask of wine, drank some, andthen passed it to his companion. These two men were theexecutioner's assistants. At this sight Franz felt theperspiration start forth upon his brow. The prisoners,transported the previous evening from the Carcere Nuovo tothe little church of Santa Maria del Popolo, had passed thenight, each accompanied by two priests, in a chapel closedby a grating, before which were two sentinels, who wererelieved at intervals. A double line of carbineers, placedon each side of the door of the church, reached to thescaffold, and formed a circle around it, leaving a pathabout ten feet wide, and around the guillotine a space ofnearly a hundred feet. All the rest of the square was pavedwith heads. Many women held their infants on theirshoulders, and thus the children had the best view. TheMonte Pincio seemed a vast amphitheatre filled withspectators; the balconies of the two churches at the cornerof the Via del Babuino and the Via di Ripetta were crammed;the steps even seemed a parti-colored sea, that was impelledtowards the portico; every niche in the wall held its livingstatue. What the count said was true -- the most curiousspectacle in life is that of death. And yet, instead of thesilence and the solemnity demanded by the occasion, laughterand jests arose from the crowd. It was evident that theexecution was, in the eyes of the people, only thecommencement of the Carnival. Suddenly the tumult ceased, asif by magic, and the doors of the church opened. Abrotherhood of penitents, clothed from head to foot in robesof gray sackcloth, with holes for the eyes, and holding intheir hands lighted tapers, appeared first; the chiefmarched at the head. Behind the penitents came a man of vaststature and proportions. He was naked, with the exception ofcloth drawers at the left side of which hung a large knifein a sheath, and he bore on his right shoulder a heavy ironsledge-hammer. This man was the executioner. He had,moreover, sandals bound on his feet by cords. Behind theexecutioner came, in the order in which they were to die,first Peppino and then Andrea. Each was accompanied by twopriests. Neither had his eyes bandaged. Peppino walked witha firm step, doubtless aware of what awaited him. Andrea wassupported by two priests. Each of them, from time to time,kissed the crucifix a confessor held out to them. At thissight alone Franz felt his legs tremble under him. He lookedat Albert -- he was as white as his shirt, and mechanicallycast away his cigar, although he had not half smoked it. Thecount alone seemed unmoved -- nay, more, a slight colorseemed striving to rise in his pale cheeks. His nostrilsdilated like those of a wild beast that scents its prey, andhis lips, half opened, disclosed his white teeth, small andsharp like those of a jackal. And yet his features wore anexpression of smiling tenderness, such as Franz had neverbefore witnessed in them; his black eyes especially werefull of kindness and pity. However, the two culpritsadvanced, and as they approached their faces became visible.Peppino was a handsome young man of four or five and twenty,bronzed by the sun; he carried his head erect, and seemed onthe watch to see on which side his liberator would appear.Andrea was short and fat; his visage, marked with brutalcruelty, did not indicate age; he might be thirty. In prisonhe had suffered his beard to grow; his head fell on hisshoulder, his legs bent beneath him, and his movements wereapparently automatic and unconscious.